Beginning with soap and wax, the artist's early sculptural experiments predated any formal engagement with art. A shift to stone in 2004, following an encounter with artisans in India, opened a deeper relationship to material—demystifying both process and medium through patient, hands-on learning. Approaching stone as a partner rather than a passive material, the artist follows its natural lines, treating sculpting as a dialogue that emphasizes self-discovery and mutual transformation. The resulting abstract, meditative forms mirror inner experience and invite viewers to find their own emotional response.