Working as errealbanese, Reginaldo Albanese investigates the interplay between the sacred, identity, and image in a digital age where the face functions as a collective myth rather than a personal marker. Albanese uses digital processes to reveal fractures within reality, producing one-off works on Dibond metal with plexiglass finishes and, at times, on wood with acrylic detail. His principal series—Traghettamenti, Ritratti Impossibili, In Principio C'era il Corpo, Bang Fumetti d'Autore, Frammenti Sacri, Sovranità, and Maschere—consider the face as iconography rather than individual likeness. Albanese exhibits with Singulart, reaching collectors across Europe, America, and Asia. He was selected for 100 Artists of Italy 2025 and recognized as a UK Artist—Top 10 London, with publication in L'Espresso.
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