Drawing on the concept of the holobiont, this painter approaches the human figure as an ecosystem shaped by interactions among humans, animals, plants, and their surroundings. Working through layered techniques, slippages, and repetitions, the artist uses the materiality of paint to mirror these shifting relationships. Faces become sites of movement and transformation, reflecting a sense of perpetual change and porous boundaries between organisms. The practice centers on observing how humans relate to themselves, to others, and to the environment, foregrounding coexistence and mutual influence within each composition.