Beatriz Díaz Soler works with watercolor, ink, and wet media on paper, developing a practice shaped by her background in engineering and architecture. Her process combines staining and dripping techniques to produce expressive, figurative, and symbolic imagery, with transparency and the element of chance central to her approach. Díaz Soler’s work is marked by a restrained intensity, positioning itself between tenderness and unease while evoking emotions rooted in human vulnerability and fragility.
Que no se note el dolor. La tinta era defensa. La vergüenza vino después.
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Que no se note el dolor. La tinta era defensa. La vergüenza vino después.
Aurelia Feral
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