Alla Ditla draws on her training in iconography, art therapy, and religious studies, as well as her background in theology and sociology, to create works that merge traditional and contemporary approaches. Incorporating techniques such as egg tempera and gold leaf alongside expressive abstraction, digital processes, and mixed-media, she brings together Byzantine, Christian, and Eastern influences. Her layered use of spiritual symbolism and meditative forms shapes a practice that connects tradition with modern experimentation.